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I also want to single out McKinley Carter and Michael Joseph Mitchell who have the unenviable task of playing every adult character in the show. Taylor may have the most beautiful voice in the cast, plaintively displayed in a pair of duets, “Don’t Do Sadness/Blue Wind” and “The Dark I Know Well,” and, finally, in the show’s eleven o’clock number, “Purple Summer.” Tiffany T. Tiffany Taylor’s performance as schoolyard outcast Ilsa is also worthy of special mention. I happened to be sitting behind his sister when I saw the show she is very proud of him.
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One part pure punk-rock adrenalin, and another part sheer vulnerability, Kelch’s performance stays with you long after you leave the theater. Photo by Liz Lauren.Īnd Kelch? … Kelch’s Moritz is an emo-fired talent explosion that detonates across the theater. DeCesare’s lovely voice and sensitive portrayal convey Melchior’s bright promise spoiled by the trials awaiting him. Jack DeCesare and Quinn Kelch join Hlava as the musical’s two other leads: Melchior (DeCesare), a top-of-his-class school standout, and Moritz (Kelch), a student barely hanging on by his fingertips, both of whom revolt against the pressures confining them. Hlava is a talented singer and actor who almost too easily breaks the audience’s collective heart with her sadly sweet depiction of teenager ill-used by a society (and parents) that insists on infantilizing her. Maya Lou Hlava, who portrays protagonist Wendla, is captivating as a young girl caught between her own naivete and its terrifying consequences. The actors literally sing from the rafters as they jump to perches high above the stage to belt Sheik’s rock and roll anthems. The almost-uniformly excellent cast are aided by Jeff-award winning director and choreographer Brenda Didier’s energetic staging and Patrick Chan’s innovative lighting design on a spare set flanked by a more-than-capable onstage band. Porchlight’s current production certainly is worth our attention. So maybe we ought to pay attention to Spring Awakening’s young actors and the even younger characters they portray when they sing-and rail against-the tyranny masquerading as care that so oppresses them. Except that the Supreme Court is poised to strike down reproductive freedom nationwide and more assaults are on the way against the recently won freedom to marry. Except that, in Texas, vigilante bounties are placed on the heads of women who choose to end their pregnancies. Just how many angsty songs can you sing about frustrated yearnings and forbidden desires?Įxcept that it’s now 2022, not 1891, and it is illegal for a gay teacher in Florida to talk about his husband. True to its source material, Porchlight’s show depicts students struggling against a culture so sexually repressed and so terrified of adolescent emotion and curiosity that it is almost comical. Now Porchlight Theatre’s dynamic production of the musical is playing, after a pandemic delay, at the Ruth Page Center for the Arts.